Keepsakes – Years Of Delirium Part 1

Direct recording from a turntable
Priama nahrávku z gramofónu
All vinyls are washed / Všetky platne sú prané

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Weight0,25 kg
Medium:NM or M-A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won’t give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear.

A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects.
Cover:VG+
Label:
Catalog:HVNWHT 001
Format:12, Vinyl
Country:
Released:26.10.2018
Genres:
Style:Techno
SKU: HVNWHT001 Category: Tags: ,

Limited to 300 copies.

With the launch of their white label series Haven is giving all the Keepsakes fans out there a very special treat many of them have been waiting on for a while. On “Years Of Delirium Part 1” Haven is pressing Keepsakes best loved tracks from his earlier digital-only releases on to vinyl for the first time.

Part 1 of this series sees the hottest tracks from his ‘Stygian Concrete Works’ (Sequel One Records) and ‘Weapons Grade Manic’ (Green Fetish Records) EPs finally available on wax. The A1 starts with ‘Galso in Camo’, firing off threatening synth lines, sudden drops and clanging drums in a tried-and-tested dance floor killer. The A2 follows with ‘Easy Now’, a hard techno and garage hybrid featuring gabber kicks and wonky bass that saw support from across the techno scene upon its release, featuring in Truss’ 2014 Boiler Room set.

The B-side then turns to the best of Keepsakes’ release on Australia’s Green Fetish Records. The B1 kicks it off with ‘Gumming’, a frenzied acid banger that keeps stepping up the intensity to fever pitch with its driving drums and catchy 303 line. The B2 then ends the collection with ‘Let Me See Your Teeth’, another track that saw wide support across the scene, being a favourite of Bas Mooy’s following its release, with it’s crunchy, no-nonsense drum programming, hefty, sinister synth-line and crushing drops known to get any crowd that likes their techno hard moving.

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