Kraftwerk: Future Music from Germany

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The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape.
This book is new from distribution; the outer cover has slight storage wear.

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Weight 0,230 kg
Authors

Uwe Schütte

Label:

Binding

Paperback

Language

English

Condition

New

Condition of the outer sleeve

Very Good Condition

Print length

336 pages

Dimensions

18cm x 2,4cm x 11cm

Country:

Released:

27.02.2020

SKU: 9780141986753 Category: Tags: ,

“A highly stimulating critical biography. Written from a European perspective, Kraftwerk is a pleasure to read.” - Jon Savage, New Statesman (London)

“An engaging critical introduction to the band . . . you can see them everywhere: most fascinatingly in hip-hop, most obviously in techno music, but also in the chrome-helmeted anonymity of Daft Punk, in the industrial philosophy of Factory Records and the Haçienda nightclub, and, ultimately, in the general trajectory of pop music ever since Kraftwerk’s run of great albums between 1974 and 1981.” - Karl Whitney, The Guardian (London)

“As the music of the twentieth century fades from our ears, Kraftwerk’s sound is still moving.” - Jay Elwes, The Spectator (London)

“I read Uwe Schütte’s fascinating new book, and became convinced again of Kraftwerk’s peculiar genius. . . . They remain revolutionary because they have given modern music its primitive pulse.” - Jude Rogers, Prospect

“Schütte proposes that Kraftwerk was, in effect, a redemptive project, a reclamation of prewar modernism and its aims. . . . This book is the German take on the German pop phenomenon.” - John Quin, The Quietus

“Read Schütte’s entertaining and meticulously researched history of the band and it’s hard not to conclude that Kraftwerk demand equivalence at least with the Fab Four.” - The Herald Magazine

“Fascinating . . . Highlights just how innovative and influential they are. Kraftwerk didn’t just beam themselves into the future, they invented it.” - Chris Harvey, The Scotsman (Edinburgh)

“Born in Germany but based in the UK, Schutte is able to assess Kraftwerk from both the German and non-German perspective. This is a lucid, accessible, authoritative, and indispensable account of the Düsseldorf group once mocked for their Teutonic ‘otherness,’ who went on to lay the foundations for modern electronic music.” - David Stubbs, author of Future Days: Krautrock and the Building of Modern Germany

“Schutte positions Kraftwerk not merely as a popular music phenomenon but as the embodiment of our transition from the uncertainty and hope of postwar Europe through to twenty-first-century techno-hyperreality. A forensic analysis of Kraftwerk’s sociopolitical roots and their ongoing cultural effect. Schutte sees beyond the regular band trivia to show a deeper understanding of the impact of Kraftwerk on all aspects of popular culture which enclose us.” - Dr. Stephen Mallinder, founding member of Cabaret Voltaire and Wrangler

“Schütte follows the foundational electropop group that inspired David Bowie’s alienist late-1970s adventures and a multitude of electro variations. He charts how they were a surprising European component in the emergence of hip-hop, as much through their sung-spoken words as their machine-made rhythms. . . . The book functions nicely as an introduction for newcomers to Kraftwerk’s history.” - Paul Morley, Financial Times

This book is new from distribution; the outer cover has slight storage wear.

‘We are not artists nor musicians. We are workers.’ Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation – even human and machine – to change the course of modern music.

This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Penguin Books Limited is a British publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths and other stores for sixpence, bringing high-quality fiction and non-fiction to the mass market.

Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science.

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