The Danzha magicians open up this glorious 4-tracker, with an unnerving and unyielding composition by the mastermind Denis Kaznacheev – “The Banach Tarski Paradox” – just like the paradox in its name, it unfolds and reconstructs the sonic journey the same way a sphere can be deconstructed into pieces. Like the Ouroborus snake, these crafted textures maintain a perfect cycle with in uttermost synchronicity.
The sophomore part of the ritual, Matt Star’s “Elephant Chair”, unravels this complex knitting of frequencies, into a stable continuity, the intensity of the frequencies to always be there for when the dancefloor’s energy needs intensifying.
As with the rotations of the planets, if we wander on to the other dark side of this record, we meet a new story, Root’s “Palomino”, an Alice in Wonderland translation of the story into sound, with an eerie construction, an ancient reproduction of powerful frequencies.
Just when the light at the end of the tunnel seems brighter, Amin Ravelle, with “Vaila” turns off the lights of the dancefloor. With the introduction of organic vocals it enables the listeners to reach the apex of the sensorial realms.
The mind is a glorious place, made throughout time, more alive and real by the creative contributions of those that have translated their Maieutics, into these eternal manuscripts of sound.